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Showing all articles for Persia.Article
Cultural links between India and the Greco-Roman world
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Sanujit published on 12 February 2011 |
Cyrus the Great (558-530 BC) built the first universal empire, stretching from Greece to the Indus River. This was the famous Achaemenid Dynasty of Persia. An inscription at Naqsh-i-Rustam, the tomb of his able successor Darius I (521-486 BC), near Persepolis, records Gadara (Gandhara) along with Hindush (Hindus, Sindh) in the long list of satrapies... [continue reading]
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Herodotus: On The Customs of the Persians
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Joshua J. Mark published on 18 January 2012 |
Herodotus (484-425 BCE) the Greek historian who wrote extensively on the Persian Empire, here describes Persian customs as they would have been practiced around the year 430 BCE at Susa and other Persian communities. The passage, from Book I of his Histories, is interesting in the way Herodotus contrasts the behavior and values of the Persians with... [continue reading]
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The Battle of Gaugamela, 331 BC
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Grant published on 18 January 2012 |
After securing the eastern Mediterranean seaboard and Egypt, Alexander pushed east into Mesopotamia with the intention of bringing Darius to battle. After crossing the Euphrates river unopposed, he marched his army eastward along the foothills of the Armenian mountains before crossing the Tigris. Once across the Tigris, Macedonian mounted scouts reported... [continue reading]
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The Battle of Pelusium: A Victory Decided by Cats
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Joshua J. Mark published on 18 January 2012 |
The Battle of Pelusium in 525 B.C. was the decisive conflict between the Pharaoh Psametik III (also known as Psammenitus) and the Persian leader Cambyses II. Cambyses, upset that Psammenitus' father, Amasis, had sent him a `fake daughter' , decided to invade Egypt to avenge the insult. Cambyses had asked for Amasis' daughter for a concubine and Amasis... [continue reading]
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The Mausoleum at Halicarnassus: A Tomb for a King and a Testament to Greek Architecture
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writer873 published on 18 January 2012 |
The term mausoleum, since the Roman era, has meant any large-scale tomb. It is what we think of today as a big marble building that houses the remains of the deceased. The term mausoleum, though, has very specific origins that can be traced back to one of the Seven Wonders of the Ancient World, The Mausoleum at Halicarnassus. This monument was the grandiose... [continue reading]
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The Style and Regional Differences of Seljuk Minarets in Persia
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Fatema AlSulaiti published on 30 January 2013 |
The Building Technique of the Seljuk Period Under the Seljuk rule, Persia gained a period of economic and cultural prosperity. The innovative techniques of the Seljuk period and style in architecture and the arts had a strong influence on later artistic developments. Seljuk art is a fusion of Persian, Islamic, and Central Asian (Turkic) elements... [continue reading]
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Persianisation in the Art and Architecture of Achaemenid Provincial Palaces, 550-330BC
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Anthony Wright
published on 19 April 2012 |
According to Margaret Cool Root, a leading scholar on the ancient Near East, the royal art of the Achaemenid kings reflects the ideals and attitudes of the king and his courtiers, presenting, above all, an ideal view of the nature of Persian kingship. Root argues that the variegated origins and appropriated concepts of Achaemenid iconography, from the Egyptian... [continue reading]
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Jamasp, an Ancient Persian Pharmacist
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Arman Zargaran and Abdolali Mohagheghzadeh
published on 15 May 2012 |
Although Iran has a deep history about 10000 years, its role in development of science in general and medicine in particular is yet to be known. There are several factors responsible for this, namely the destruction of a good number of ancient Persian manuscripts and books. Furthermore, lack of interest found among contemporary researchers seems to... [continue reading]
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The Early Seleucids, their gods and their coins
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Erickson, Kyle Glenn
published on 05 June 2012 |
This thesis argues that the iconography on Seleucid coins was created in order to appeal to the various ethnic groups within the empire and thereby reinforced the legitimacy of the dynasty. It first examines the iconography of Seleucus I and argues that as Seleucus became more secure in his rule he began to develop a new iconography that was a blend... [continue reading]


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